Paula Gill Article in HTA Newsletter

Read About our Paul Gill in The Current version of
Handmade Tile Association Newsletter

S P O T L I G H T on artists and events

 

Red Step Studio

Paula Gill

Bremerton, Washington

Red Step Tile

Red Step Studio tiles are made in my Bremerton, Washington studio, which overlooks my garden of perennial and vegetable beds and a sloping wooded bank planted with Pacific Northwest natives. I find the antics of the resident songbirds, northern flickers, owls, squirrels and mountain beavers both charming and challenging; but they all become inspiration for my work on a daily basis. I love being outside tending the garden with my hands in the soil; I guess it comes as no surprise that I have discovered a way to keep my hands in the earth through my work. My tiles are my way of sharing this joy of being in nature with others.

With a background in graphic design, printmaking and watercolor painting, I started exploring the world of tilemaking in 1997 and haven’t looked back since. Through continual experimentation I have been able to create a wide range of tiles with only terracotta and white clays, underglaze color pigments and a clear finish glaze.

My carving technique, directly influenced by woodblock and linoleum printmaking, give the work a unique style and add unrivaled depth, texture and liveliness not replicated by other tile making methods. In all, it is a thirty-step process, all by hand (no molds are used), that takes from six to eight weeks to complete each one of kind tile.

Custom orders are welcome. I have been commissioned to create over 200 unique tiles for all the patient rooms in a Southern California medical center, and have received two 1% for the Arts commissions for large scale framed tiles. I have carved special tile portraits of homes and family farms, a grandfather fishing his favorite trout stream, a bride’s wedding flower, a family’s vacation trailer, house numbers, and fireplace murals.

I sell my tiles through my website, local Northwest art shows, and throughout the year at Collective Visions Gallery in Bremerton, WA. During the month June I am having a solo show of new mosaic tile pieces.

Seven years ago, inspired by Josh Blanc and the Handmade Tile Association, a group of tilemakers in the Seattle area founded Artisan Tile NW. With over 30 members, we are actively planning our 6th annual fall Handmade Tile Festival, and co-sponsoring a Potter’s Council Tile Conference in Seattle at the end of June.

 

Paula Gill

PO Box 63, Bremerton, WA 98337

www.redstep.com

Facebook: Red Step Studio

www.etsy.com/shop/RedStepStudio
www.artisantilenw.org

As posted in
http://handmadetileassociation.org

 

Photo Workshop with Andrew Wedlake

We are hosting a Photographing Tiles workshop on June 4 from 10 am to 3 pm.

Andrew Wedlake, one of our newest members, is a product photographer and also works at Ann Sacks in Portland. He has graciously volunteered to show us how to take great photos of our tiles and how to do digital color correction in LightWorks. He will photograph tiles for the 2011 member guide that are brought to the Saturday workshop.

Bring your questions, curiosity and willingness to learn from a pro!

If you have any doubts as to the quality of your tile photographs for the members guide, bring the tile(s) you intend to feature this year and Andrew will photograph them and make them ready for inclusion in the guide.

What: ATNW Photography Workshop

When: Saturday, June 4, 2011 10 am -3 pm.

10-12 workshop and demo with hands-on involvement by participants

12-1- break for lunch – we’ll order out for a pizza.

1-3 photographing member tiles

Where: Steve Moon’s Studio in Georgetown, 927 S. Homer Street, Seattle, 98108

Who: Any current ATNW members

How much: No charge for current members. Donations welcome for pizza take out.

Please RSVP by June 1 if you plan to come. Looking forward to seeing you all there.

Paula

PS If you cannot attend on June 4, arrange with Steve to bring your tiles to his studio before Saturday, or with another member who is planning to attend.

 

 

Peter King Workshop at Dean Tiles, Whidbey Island

Peter King Workshop

Architectural Ceramic Workshop

With Peter King and Xinia Marin

In a 5 day intensive workshop

June 27th – July 1st, 2011

At Dean Tile Studio, Whidbey Island, WA

For more information + Registration

http://www.deantile.com/

Potters Council Tile Conference Seattle June 24-26th, 2011

Participants will collaborate with Peter and Xinia to create a full scale architectural piece. Daily slides shows of: design, fabrication and installation of large scale pieces done by Stonehaus Studio. Also included, will be sink, tile, and mold making demos. Plus, a tasty lunch will be provided daily.

 

Paul Lewing Glaze Workshop

Moshier Community Art Center

Paul Lewing

Glaze Chemistry Workshop 101 & 102

Saturday and Sunday, May 14th & 15th

10-4 PM

Fee:  $140.00

This workshop is a must for all potters!  Don’t know the difference between a proton and a futon?  Paul will begin the lecture exploring the properties of ceramic glazes and glaze materials, their behavior during firing, and proper testing and mixing procedures.  The second session will focus on the Seger method of analyzing glaze formulas and glaze chemistry.  Handouts, cone 10 and 5 glazes recipes and glaze related books and websites will be provided.  The workshop will conclude with a slide show of Paul’s works in pottery and tile.  Bring a notebook and a lunch.

Moshier Community Art Center

430 S 156th Street Burien, WA 98166

Register at Burien Parks, Recreation & Cultural Services:

http://tinyurl.com/423ldjk

www.burienparks.net

Parks:  206-988-3700

www.BurienParks.net

 

Hanford Gallery Showing at Tacoma Library

Published on Wed, March 16, 2011

Engaging exhibit

By Matt Nagle

TACOMAWEEKLY.COM
Handforth’s engaging tile art exhibit showcases expertise of artists

It’s amazing what can be done in tile art, and Handforth Gallery has a big collection of beautiful examples on view now presented by Artisan Tile Northwest (ATN).

More than 60 pieces make up this exhibit, showcasing works by nearly 25 artists, including Tacomans Claudia Reidener of Ixia Tile and ceramics artist John McCuistion. All of the artists are part of ATN, a non-profit tile makers group dedicated to the preservation of the art and craft of handmade tile. ATN also holds an annual tile show to raise public awareness about the range and diversity of tile being produced in the Northwest – and what range and diversity there is.

Entitled “Literary,” the collection at Handforth encompasses so much variety in themes, colors, shapes and dimensions that each individual piece stands out on its own as a fascinating testimony to the skilled hands and vivid imaginations of the artists. From the dramatic to the whimsical, this is art that everyone can appreciate.

Some of the artists make three-dimensional pieces that seem to come right off the wall. Karen B. Morrice’s (of Oddinary Tiles) “Downstream” was done in the perspective of looking down upon a koi pond, with the finned backs of three little koi fishes sticking up above the water’s surface. Maria Root’s (of Primitiva Pottery and Tile) “Legends of Ravens and Crows” shows the heads of 15 of these black birds sticking right out at the viewer.

With a show title like “Literary,” and the fact that Handforth Gallery is located inside the Tacoma Public Library, themes from books are everywhere in this exhibit. Irene Otis (of Irene’s Tiles) gives the Big Bad Wolf a break in her “Once In A Blue Moon,” a square tile that shows the wolf and Little Red Riding Hood sitting romantically on a porch swing under a full, blue moon. The text reads: “Once in a blue moon a decent wolf comes along….”

Sallie Herling (Herling Studio) presents an illustration of a Rudyard Kipling fable “The Elephant Child.” In three scenes, the artists shows how the elephant got its “really truly trunk” thanks to a toothy crocodile. Animal themes populate the exhibit as well. Bob and Iris Jewett (Wilburton Pottery) create finely detailed tiles of plants and creatures in their natural habitat.

“Literary” also takes on the history of tile making on this side of the world. Encased in tall showcases are fascinating examples, one that dates back to 1600s Mexico where Franciscan missionaries produced the earliest tiles in the Americas.

“Literary” shows through April 12 and admission is free. Tacoma Public Library is located at 1102 Tacoma Ave. S.


Seattle PI Article 2008 Tile Fest

Saturday, September 27, 2008
Last updated September 30, 2008 2:46 p.m. PT

(Pictures to follow)

Carol Rose Dean crafts and sells tiles at her Whidbey Island studio. She’s a licensed tile installer and teaches tilemaking.

Fired up about tile

Festival celebrates the beauty of handmade tile and the Northwest artisans who create them

By CECELIA GOODNOW
P-I REPORTER

On one hand there’s the tile you grew up with — cheap, machine-pressed and unapologetically utilitarian. Durable and easy to clean, it still has its place, even if that place is behind a shower curtain.

COMING UP

NORTHWEST HANDMADE TILE FESTIVAL

WHAT: Third annual show and sale of Artisan Tile Northwest, a nonprofit association of tile artisans. Co-founders of the California-based Tile Heritage Foundation will be on hand to answer questions about historic and contemporary art tile.

WHEN: Oct. 4, 10 a.m.-5 p.m.

WHERE: Pioneer Hall in Madison Park, 1642 43rd Ave. E.

MORE INFORMATION: artisantilenw.org/festival.html

Then there’s art tile — another breed altogether.

Painstakingly crafted from hand-carved molds, glazed and painted by hand, these tiles are meant to lend architectural character to a room or garden. You’ll often find them framed and hanging on living-room walls or used as focal points in fireplace surrounds.

“A lot of people collect them,” said tilemaker Carol Rose Dean of Whidbey Island. “They’re beautiful, and they’re art unto themselves.”

The third annual Northwest Handmade Tile Festival is a good opportunity to learn about the many styles of artisan tile being produced locally. About 20 handmade tile crafters from the Puget Sound area will be represented at the Oct. 4 event and most will have tiles for sale.

“What most people like is they can meet the artist, because if you go to a tile store, you’re talking to the salespeople,” said Bellevue tilemaker Iris Jewett of Wilburton Pottery.

   
 
  Dean Tile & Design

The festival also offers a chance to learn about that vintage tile on your fireplace surround or entryway. Could it be genuine Batchelder? Or maybe Claycraft or Rookwood?

Ask Joe Taylor or Sheila Menzies, co-founders of the California-based Tile Heritage Foundation, an archival library that promotes awareness and preservation of historic and contemporary artisan tile. The foundation, which has records of tile designs from the mid-1800s on, will have reproduction catalogs and informational tile books for sale.

“We’ll be happy to identify any tiles people want to bring in — either tiles or pictures of installations,” said Taylor, the featured expert at this year’s tile fest.

The festival is the annual high point for Artisan Tile Northwest, a nonprofit association of regional tilemakers who come together monthly to share their love of the craft and trade insights about glazes, clays, techniques — and staying alive in a troubled economy.

Pictures to follow.

   
 
  Status Handcrafted Ceramics

Dean, one of the founders, said the young group represents only a fraction of the tile artisans scattered across Washington. She knows of 50 to 75 full-time tilemakers and estimates another 150 make tile as a sideline. Many toil in isolation, unaware the field has grown so large.

“There’s been a huge resurgence in tile,” Dean said. “When we started doing the group 3 1/2 years ago, I honestly didn’t know how many dedicated tilemakers there were.”

The challenge now is to clue in the public, which seems “really surprised at the quality and depth” of the local tile scene, said association president Steve Moon of the Tile Restoration Center, a Seattle studio that makes reproduction Batchelder and Claycraft tiles.

Northwest tilemakers range from cottage artisans to studios that employ up to a half-dozen workers.

The Jewetts work out of a modest Bellevue home overflowing with plants, handcrafted garden pots and stacks of decorative, indoor-outdoor tile.

Bob Jewett, a rangy fellow with a white beard, turned to ceramics as a second career about 20 years ago. Mornings find him at his garage workbench, using the heel of his hand to press porcelain clay into hand-carved molds.

   
 
  Status Handcrafted Ceramics

There must be hundreds of them — borders and centerpieces — stacked on edge in cubbies. Iris, a gentle woman with snowy hair, applies glazes and runs the business end.

“This all happened by accident,” Bob Jewett said. “I was originally making garden pots with designs. Then after a while, people asked me to make tiles.”

While some designs are painted, their trademark Wilburton tiles are natural-toned, with a black glaze and crinkled edges that suggest ancient stone carvings ravaged by time. They include nature scenes of such fine detail — enchanted forests straight out of an Arthur Rackham illustration — that they might be etchings.

Like the Jewetts, many of their customers are gardeners. Some hide their tiles in secret places in the garden, “so only they know where it is,” Iris Jewett said. “If you’re a fanatical gardener, that’s not unusual.”

Another client used two vertical tiles to flank the opening of his fireplace, but instead of mortaring them in place, he attached them with Velcro.

“He’s going to move someday,” Bob Jewett said, “and he’ll take those tiles with him.”

By comparison, Dean’s tiles are more colorful and stylized, with simple, playful designs that are at once contemporary and reminiscent of folk art. In addition to mermaids, stars and abstract patterns, she has a line of animal tiles that includes chickens, bemused bunnies, herons, horses and Weimaraners.

Dean, who has a degree in ceramic sculpture, was a general contractor in Seattle before moving to Whidbey Island in 1999. She’s now a licensed tile installer and teaches tilemaking.

“I have a lot of clients who are making their own tile with me,” said Dean, who applauds the hands-on approach as a way to feel more connected to the tile in your home.

The upcoming festival also will feature two of Seattle’s larger handmade tile crafters — though “large” is a relative term.

   
 
  Wilburton Pottery

Kristin Ohberg of Architerra Northwest and Richard Scott of Status Handcrafted Ceramics work in warehouselike studios in historic Georgetown. Each firm has several employees, sells through showrooms and is geared for large installations such as kitchens and bathrooms.

“When people call me an artist, I say, ‘No, I’m just a craftsman,’ ” Ohberg said. “I’m just trying to fill orders properly.”

Field tiles (those with no pattern) and extruded trim may be her bread-and-butter, but Ohberg also handcrafts lovely decorative pieces, including relief tiles and custom orders. Her designs include traditional quilt patterns, plump berries and blossoms, 3-D “clothing” hanging on a line (for an upscale laundry room) and field tiles in the shapes of ovals and parallelograms.

“I want to encourage people to use tile creatively,” she said, “and get outside the square shapes.”

Status Handcrafted Ceramics is large enough to offer entire lines of tiles — the crackle series, the jewel tones, the “faux” series, etc. Scott hires local artists to create some art-tile designs; others are by staff artist Zsuzsa Bansaghi, who earned a doctorate of ceramic engineering in her native Hungary but says simply, “I’m a chemist.”

Bansaghi designed the company’s palette of 95 colors and prides herself on their deep, translucent quality — a result of using oxides (instead of light-blocking stains), which melt and become part of the glaze.

Inspired by the larger Minnesota Tile Festival, Seattle’s tile show is still a young affair, so its goals are modest — to educate the public about the beauty of handmade tile and the talented artisans in their midst.

As Iris Jewett put it, “We just want people to know we exist.”

TIPS

  • Artisan tile can be pricey. A 4-by-4-inch decorative tile might cost $12 to $35, depending on the artist and whether you buy direct or through a retail showroom. (Field or plain tile, with no pattern, is less costly.) But most artisans offer discounts up to 60 to 75 percent on “seconds” — tiles that were overproduced or don’t meet their picky standards. Contact individual tilemakers for details.
  • For oomph on a budget, use handcrafted artisan tiles to accent or trim inexpensive, machine-made field tile. (Bring samples of your field tile to the festival to match with accent pieces.)
  • Apart from shower floors (showerpans), which require professional, failsafe waterproofing, many installation projects are within the abilities of “properly motivated” do-it-yourselfers, said tilemaker Carol Rose Dean, a licensed tile installer. “The tiling itself is not rocket science. It’s about taking your time and being comfortable and having a good design.”

ON THE WEB

P-I reporter Cecelia Goodnow can be reached at 206-448-8353 or ceceliagoodnow@seattlepi.com